15.11.10

MTV Gonzo Idents

Filed under: Watch — Tags: , , , , , — Alex Amelines @ 10:59 pm

Atten­tion all veg­eta­bles, fruit and spuds of a weak dis­po­si­tion: Look away now! The scenes you’re about to see might have been pre­pared with the best sea­sonal ani­ma­tion ingre­di­ents but the recipes may con­tain traces of dark culi­nary humour and a dash of Dex­ter­ian green­ery horrors.

Designed/Directed/Animated by Tom Bunker for MTV Gonzo on MTV Rocks.


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11.11.10

Fish Hooks in the UK

Filed under: Watch — Tags: , , , , , — Alex Amelines @ 9:53 pm

A while back we passed on the news that Dis­ney had been given the green light on an ani­mated series called ‘Fish Hooks’. Well the series is now rolling out in the U.S. and it will be arriv­ing in the U.K. this month, here’s a lit­tle clip, enjoy!

Fish Hooks is a brand new ani­mated series com­ing to Dis­ney Chan­nel in Novem­ber! Get to know Bea, Milo and Oscar before it hits your screens!

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12.07.10

Encounter on Planet X

Filed under: Watch — Tags: , , , , , — Alex Amelines @ 10:46 pm

Now this is a very spe­cial work, cre­ated by the won­der­fully twisted brain of Tom Bland and Lon­don based free­lance ani­ma­tor and illustrator.

He cre­ated this for a short film com­pe­ti­tion as well as for fun and practise.

The com­pe­ti­tions theme was ‘B Movie’ and all entries should be about 3 min­utes long. He won the com­pe­ti­tion but only one other per­son entered it that time.

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21.05.10

Alex: The Movie

Filed under: Watch — Tags: , , , , , , , , — Alex Amelines @ 10:18 am

Based on the pop­u­lar Daily Tele­graph comic strip of the same name by Charles Peat­tie and Rus­sell Tay­lor. Break­Thru has worked with Charles and Rus­sell to bring Alex off the page and on to your screens.

Alex has been shot, kid­napped, run over, abducted by aliens and marooned in the Ama­zon rain­for­est. He’s endured two weeks as a home­less per­son on the streets of new York (a team-building exer­cise), been called to the priest­hood by God (he declined) and he’s had vivid night­mares about being a pupil at Hog­warts, of going down with the Titanic and of being employed, igno­min­iously, as a milk­man. For the most part none of these expe­ri­ences have dented his blink­ered com­pla­cency or wholly mer­ce­nary atti­tude to life.

Sev­eral ‘real’ peo­ple have made appear­ances in the strip: Tony Blair, Prince Charles, Prince William, Nicola Hor­lic, Martha Lane-Fox, Rob­bie Williams, and Bill Clinton.

In 2002, cre­ators Charles and Rus­sell were awarded MBEs for ser­vices to the news­pa­per indus­try. More infor­ma­tion about the Alex comic strip is avail­able at the alex car­toon website.


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20.05.10

Escape Studios’ Graduate Survey

Filed under: Watch — Tags: , , , , , , — Alex Amelines @ 10:02 am

How do you fancy win­ning an iPod or an online 3D course from Escape Stu­dios?

That’s what they’re offer­ing as a thank you for those who have grad­u­ated from a UK uni­ver­sity and don’t mind spend­ing 5 min­utes fill­ing in their Grad­u­ate Sur­vey. Basi­cally, they’re inter­ested in learn­ing about how you got on find­ing a job, and how well you think your uni­ver­sity pre­pared you for the world of work.

The win­ner will be revealed in a few weeks’ time.

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18.05.10

Two Inches to the Right

Filed under: Watch — Tags: , , , , , , , , , — Alex Amelines @ 8:39 am

It feels unset­tling because is real and is close to all of us. This ani­ma­tion is a fol­low up to the award win­ning short ‘Blokes’ and was ani­mated by Matt Frod­sham depict­ing the word of Mat Lloyd’s poem. They are both tap­ping into major social issues here, so I am sure it will get all the atten­tion it deserves, and hope­fully it will spark some pos­i­tive reac­tion, some­thing that goes beyond the exchange of know­ing looks between the view­ers while they nod in agree­ment, but then do nothing.

Mat Lloyd says: “I wrote the poem on a can­vas with a marker pen the morn­ing after I was attacked.

The night before I was in my local park on the open­ing day of the skate park I’d helped get built, it was nearly mid­night. We’d organ­ised a DJ to play the day out in a mar­quee and I just popped out to take a leak. In my drunken state I was stum­bling to find a bush when I heard, and felt, a sort of ‘boink’ sound. I knew I’d been hit on the back of the head, and I knew it wasn’t with a fist. I don’t remem­ber much else other than being back at the mar­quee with a bleed­ing head…”


Matt has kept an in depth step-by-step log about the mak­ing of the ani­ma­tion.

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13.05.10

Dry Fish

Filed under: Watch — Tags: , , , , — Alex Amelines @ 9:33 pm

Eyes with legs, zombie-like pan­das, ghosts with long tongues, crabs, aliens, robots, a singing smar­tie. Any­thing you want, you name it! This video has it. Dry Fish is a very spe­cial cre­ation by Andy Mar­tin a free­lance designer/director based in Lon­don. His recent work has included projects for clients like Chan­nel 4, E4, Trou­ble, Sky One, DDB Lon­don, VW, Alfa Romeo, Tesco, and the BBC.

“Some­time you find your­self in a place that you just can’t explain and quite often it can be a lit­tle bit wor­ry­ing. This ani­mated short tells of one such occa­sion as our hero tries to express his feel­ings in the only way he can…via the medium of song.”


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Encounters 2010

Filed under: Watch — Tags: , , , , , , — Alex Amelines @ 9:10 pm

After an over­whelm­ing response for the 2009 fes­ti­val Encoun­ters Inter­na­tional Film Fes­ti­val, Bris­tol, has once again teamed up with YouSendIt, to accept fes­ti­val sub­mis­sions dig­i­tally. In a bid to decrease waste and make life a lot eas­ier for Film­mak­ers, with YouSendIt, film­mak­ers can upload an entry directly through the Encoun­ters web site.

Sub­mis­sions open 19 April and close on 30 June. This year sees the return of Ani­mated Encoun­ters and Brief Encoun­ters as the two com­pet­i­tive strands. Films under 30 min­utes of any genre are accepted, see the Encoun­ters Inter­na­tional Film Fes­ti­val web­site for full terms and conditions.

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05.05.10

Broken Antler: Twenty10

Filed under: Watch — Tags: , , , , , — BrokenAntler @ 11:08 pm



My new reel for twenty 10.

I always strug­gle to make reels. I start off think­ing that they’re going to be a load of fun and then slowly the real­i­sa­tion dawns on me that I’m my own worse client. To start with I’ve seen the work an unprece­dented amount of time and although I’m pleased with every­thing I’ve included, I also know where the prob­lems are — almost by time­code. I know what I’m capa­ble of. I know what I’d like to be capa­ble of and I never give myself enough time.

I had a sud­den rush to cre­ate this reel after a friend and col­league sent a link to my web-site and a promise of a new reel to a Warner Records executive.

Years gone past I would cre­ate a mon­tage of the pret­ti­est bits of my work to my favourite track of the month, but last year i made the deci­sion that I would reveal more of the work than try to hide behind a pol­ished promo of bits. I think when putting a showreel together it’s easy to view other people’s and feel ner­vous that you have not got enough good stuff to include.

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07.04.10

Maf the Dog

Filed under: Watch — Tags: , , , , — Alex Amelines @ 10:10 pm

I have always been a big fan of the look of 60s Amer­i­can illus­tra­tion, with very sim­plis­tic fea­tures that tell o much about the char­ac­ter, a dom­i­nant colour on each scene, basic com­po­si­tions and very accen­tu­ated poses. This charm­ing short has it all and it’s all hand­somely delivered.

This short ani­ma­tion was com­mis­sioned by Faber & Faber to pro­mote the release of Andrew O’Hagan’s novel The Life and Opin­ions of Maf the Dog and of His Friend Mar­i­lyn Mon­roe.

Robin Davey designed, directed and ani­mated the whole short. The music is Bean Bag by Jeff Curry.

Robin says: “Draw­ing inspi­ra­tion from film titles and car­toons of that era and incor­po­rat­ing quotes from the novel itself, I pro­duced this minute long whistle-stop tour of Maf’s early life, trac­ing his jour­ney from an Eng­lish farm­house kitchen to the com­pany of the most famous woman in the world. The piece was con­ceived as a sin­gle sequence with­out obvi­ous cuts, using colour tran­si­tions to rein­force the sense of move­ment.”

A bit of advice: Select the HD ver­sion and play full screen, it’s worth it!


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